This is music of history and heartache, modernity and desire, alienation and expression, by a singular creative committed to the complexities of sound. – Britt Brown
Gudrun Gut’s story spans many years, scenes, and sounds, from the “ingenious dilettantes” subculture of early 1980’s Berlin as part of Mania D, Einstürzende Neubauten, and Malaria! to her twilit industrial pop trio Matador into an expansive solo catalog of later work scoring films, videos, and radio plays. Her talents extend beyond musician, however, to include founding record labels (the influential imprints Moabit Musik and Monika Enterprise), club nights (progressive electronic pop collective Oceanclub), and experimental feminist collaborations (Monika Werkstatt).
Gut also works extensively in the technical sector of the recording industry, as a producer. Recent projects have included collaborations with Antye Greie (AGF) and Hans-Joachim Irmler of Faust, participating on the advisory committee for Musicboard Berlin, and performing at The Royal Albert Hall with Âme as part of an Innervisions label night.
A quote from the prestigious UK magazine “The Wire”
“This is a story about a “geniale dilettante”, a punk and a No Waver and an early adopter of computer pop; a girl from German heatherlands who moved to Berlin to become one of the city’s central figures -feminist agitator, festival organizer, entrepreneur. Plus of course musician, performance artist, DJ, radio presenter, club organizer, cultural ambassador and label owner. She has done all of this largely by maintaining her independence. Not in the rejectionist strain that characterizes knee-jerk American individualism, but rather by creating and attending to niches and spaces of possibility in the interstices and the margins.”
For Press see Albums
|WestAnd Monika Werkstatt with Natalie Beridze, Sonae, Pilocka Krach, Gudrun Gut,||Braunschweig,||DE|
|with Einstürzende Neubauten,||Oslo,||NO|
|Kulturzentrum Pavillon https://multitude-festival.de/,||Hannover,||DE|