
robert
lippok : falling into komëit
monika 37 cd /lp on lok
hear his
version of i can tell.mp3
full album download available at FINETUNES.NET
robert lippok
: falling into komëit
Robert Lippok’s „Falling into Komëit“
might be called a remix-album but it is rather a tribute. The idea of reinterpreting
Komëit’s full-length album „Falling into Place“ (m25)
settled when he – among others – participated in a remix 12“
(„Falling back together“) to the album.
Now, almost two years since, he has realized his idea and finished „Falling
into Komëit“. The album is a very simple, very personal way of
paying credit to Komëit’s universe of tender and fragile, minimalistic
songs. Robert Lippok has been very careful not to destroy or to boldly paint
over the distinctive structure of the songs but to keep their character and
still to create something new that carries along his idea of music in general
and Komëit’s music in particular.
This album is also about passion. It is about music as a passion, which is
able to express emotions, thoughts and dreams, and about the many different
ways and materials that make this expression possible.
And above all it is about a very classical and beautiful understanding of
music (which might have gone lost a little within the context of a very fast
and somehow superficial pop industry) that saves music from transitoriness:
This is the idea of music as a language that is passed on, getting supplemented
and thereby growing in its ability to actually describe what you want to express.
It is thus similar to fairy tales and myths that constantly change in the
process of narration but never actually lose their original meaning.
And this – ladies and gentlemen – is of course the main idea of
Monika Enterprise as a label, too.
Fee Magdanz
Δ
komëit

PRESSPIC
for print in 300dpi: komeit im auto
pic by hannes boeck

Julia Kliemann + Chris Flor
Falling
into place? This is where it
all comes together.
Just before Quiet is the new Loud reared its tentative head in 1999 Julia
Kliemann (vocals, sine keyboard) and Chris Flor (vocals, guitar) began to
gauge the boundaries of calm fragility with their reduced tendercore: when
early attempts at collaborations (skateboarding) didnt work out, Chris
decided to convince his fellow student Julia to join him for an improvised
performance supporting songs:ohia instead.
Currently based between Vienna and Berlin and with a touch of open naivety
and idealism about them Komëits simple stories and clear messages
place them at the forefront of artists who are not afraid to expose their
sounds and souls to the public not in a shy, introverted way but via
melancholically optimistic honesty.
Their consciously minimalist approach results in humane directness, in a concentrated
clarity.
After the previous, intensely personal outpourings of which focussed on a
dogma of conceptual purity, Falling Into Place allows a lot more space to
electronica, piano and echoing guitars to fill the gaps with atmospheric warmth
"the last album was a lot more about emphasising the basic idea
of a sound, of a melody or love song, this time we wanted to elaborate on
this idea, to actually make the record we had in mind Chris states.
Contemplative, romantic, heart-wrenching, slow, deliberately delayed and infused
with their mutual musical past between Low, Codeine, Pastels and Brian Eno
these two delicately interwoven voices almost hypnotically drag us into the
intricate spheres of Komëit Lets Melt, as one of their songs
seductively invites us to do!
On the remix collection Falling Back Together T. Raumschmiere, DJ DSL, Robert
Lippok supply their very own view of this distilled quietude.
Sonja Commentz
Δ
listen to "3hours"
MP3 (edit)
Δ
and see the "3hours"
Video by Micz Flor
Δ
komëit live
booking email headquarter
www.headquarter-entertainment.de
Δ

robert
lippok: falling into komëit
cd monika37 / lok vinyl


